The Matador (Widescreen Edition)

This hip and hilarious dark comedy finds boorish, on-the-job hit man Julian Noble (Pierce Brosnan) in a Mexico City cantina where he meets mild-mannered Denver businessman Danny Wright (Greg Kinnear), both of whom are at a crossroads in their lives and careers. Over too many margaritas, they form a strange friendship built on the dark and drunken honesty shared among strangers who believe they will never see each other in the light of day. However, months later, back in Denver, the doorbell rings at the Wright residence, and Danny and his wife Bean (Hope Davis) find Julian on their doorstep, a desperate, broken man. What else can they do, but to take him in?

Pierce Brosnan gives one of his finest performances in iThe Matador/i, a low-key buddy comedy with an agreeably sinister twist. Light-years from his former James Bond image, Brosnan is unshaven, unnerved and unpredictable as freelance assassin Julian Noble, who encounters desperate businessman Danny Wright (Greg Kinnear) in the bar of a modern Mexico City hotel. Danny is intrigued when Julian reveals that he's a "facilitator of fatalities," and his wife "Bean" (Hope Davis) is equally fascinated when Julian shows up unexpectedly, six months later, at Danny's home in Denver. Having lost his touch as a reliable hit-man, Julian needs Danny's help with "one last job," but the logistics of Julian's lethal profession (involving an employer played by Philip Baker Hall) are secondary to writer-director Richard Shepard's offbeat, slightly uneven character study, which gives Kinnear and Brosnan a memorable opportunity to riff on their established screen personas. In making Julian a likable yet tormented drifter who's made a habit of "running from any emotion," Brosnan creates an edgy yet sympathetic character as mysterious as he is fun to be around; if you're going to befriend a hired killer, you could do far worse than a guy like Julian. As Brosnan plays him, he's worthy of a sequel, but iThe Matador/i is the kind of entertainingly quirky movie that's a hard act to follow. i--Jeff Shannon/i